The Pilgrim's Progress by John Bunyan Every Child Can Read — Key Ideas to Explore
Edition facts
Before opening The Pilgrim's Progress by John Bunyan Every Child Can Read — Key Ideas to Explore, the edition data offers a quick orientation: 103,516 words, 7 hr 31 min estimated reading time, and 14 detected text sections.
The text analysis averages about 22.8 words per sentence, while the detected sections provide another way to judge how the source is divided.
Project Gutenberg metadata also associates the work with “Christian life -- Juvenile literature,” connecting these edition facts with the source record’s subject description.
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- Description quality20 pts
- Title & short description10 pts
- Source metadata20 pts
- Text length15 pts
- Chapters / structure15 pts
- EPUB file integrity20 pts
Total of 100 points, scaled to a 2.5-5.0 range. Editions with an empty description or a missing EPUB file are not scored.
Read the Text
As I walked through the wilderness of this world, I lighted on a certain place where was a den,[1] and laid me down in that place to sleep; and as I slept, I dreamed a dream. I dreamed, and behold, I saw a man clothed with rags, standing in a certain place, with his face from his own house, a book in his hand, and a great burden upon his back. I looked, and saw him open the book, and read therein; and as he read, he wept and trembled; and, not being able longer to contain, he brake out with a lamentable cry, saying, "What shall I do?"
[1] Bedford jail, in which Bunyan was twelve years a prisoner.
In this plight, therefore, he went home, and restrained himself as long as he could, that his wife and children should not perceive his distress; but he could not be silent long, because that his trouble increased. Wherefore at length he brake his mind to his wife and children; and thus he began to talk to them: "Oh my dear wife," said he, "and you my sweet children, I, your dear friend, am in myself undone by reason of a burden that lieth hard upon me; moreover, I am told to a certainty that this our city will be burned with fire from heaven; in which fearful overthrow, both myself, with thee, my wife, and you, my sweet babes, shall miserably come to ruin, except some way of escape can be found whereby we may be delivered." At this all his family were sore amazed; not for that they believed that what he had said to them was true, but because they thought that some frenzy or madness had got into his head; therefore, it drawing towards night, and they hoping that sleep might settle his brain, with all haste they got him to bed. But the night was as troublesome to him as the day; wherefore, instead of sleeping, he spent it in sighs and tears. So when the morning was come, they would know how he did. He told them, Worse and worse: he also set to talking to them again; but they began to be hardened. They also thought to drive away his madness by harsh and surly treatment of him: sometimes they would ridicule, sometimes they would chide, and sometimes they would quite neglect him. Wherefore he began to retire himself to his chamber, to pray for and pity them, and also to sorrow over his own misery; he would also walk solitary in the fields, sometimes reading, and sometimes praying; and thus for some days he spent his time.
[Sidenote: CHRISTIAN'S DISTRESS OF MIND]
Now, I saw, upon a time, when he was walking in the fields, that he was (as he was wont) reading in his book, and greatly distressed in his mind; and as he read, he burst out as he had done before, crying, "What shall I do to be saved?"
I saw also that he looked this way and that way, as if he would run; yet he stood still, because (as I perceived) he could not tell which way to go. I looked then, and saw a man named Evangelist coming to him, who asked, "Wherefore dost thou cry?"
He answered, "Sir, I read in the book in my hand, that I am condemned to die, and after that to come to judgment; and I find that I am not willing to do the first, nor able to do the second."
Then said Evangelist, "Why not willing to die, since this life is troubled with so many evils?" The man answered, "Because I fear that this burden that is upon my back will sink me lower than the grave, and I shall fall into Tophet.[2] And, sir, if I be not fit to go to prison, I am not fit to go to judgment, and from thence to death; and the thoughts of these things make me cry."
[2] Tophet here means hell.
Then said Evangelist, "If this be thy condition, why standest thou still?"
He answered, "Because I know not whither to go." Then he gave him a parchment roll, and there was written within, "Flee from the wrath to come."
Jesse Lyman Hurlbut’s 1909 edition of The Pilgrim’s Progress is not a simple reprint. In his preface, Hurlbut states his intention to “change the words here and there to simpler ones, and to omit all the conversations and arguments concerning subjects belonging to the field of doctrine.” The result is a version aimed at children ten years old, stripping away the theological discussions that Bunyan originally included for adult readers. The excerpts reveal a text that retains the narrative arc—Christian’s journey, and later Christiana’s—while excising the “short sermons” that Hurlbut considered a “blemish upon the wonderful story.”
Editorial Intent and Audience
Hurlbut’s preface makes explicit his view that Bunyan’s original was “not in the purpose of John Bunyan to write a book for children or even for the young.” He argues that the doctrinal passages are “beyond the minds of children” and cause “great trouble when the book is read.” This edition therefore omits those conversations, focusing on the story itself. The catalog subjects—Christian life – Juvenile literature and Christian pilgrims and pilgrimages – Juvenile literature—align with this simplified approach, though the excerpts show that the text still includes religious language, such as “the Merciful One” and “the Celestial City.” The editorial lens here is clear: the book is presented as a story, not a theological treatise.
Christiana’s Journey as a Central Episode
The excerpts devote significant space to Christiana’s call to pilgrimage, a portion often abbreviated in other editions. The visitor named Secret delivers a letter “written in letters of gold” that smells of “the best perfume,” and Christiana responds with immediate resolve: “let us pack up, and be gone to the gate.” This episode emphasizes family and repentance—Christiana regrets having “hardened thy heart against his way” and keeping “these thy babes in their ignorance.” The narrative voice remains in the first person (“Now, I saw in my dream”), preserving Bunyan’s dream framework. The inclusion of Christiana’s story suggests that Hurlbut valued the complete narrative arc, not just Christian’s solitary journey.
Language and Stylistic Simplification
Comparing the excerpts to the original Bunyan text reveals Hurlbut’s simplifications. For instance, the original’s more complex sentence structures are broken into shorter, clearer units. The dialogue retains its allegorical flavor—“If thou comest in God’s name, come in”—but the surrounding doctrinal exposition is absent. Hurlbut’s preface notes that he aimed to make the story “plain and interesting to children,” and the excerpts bear this out: the narrative moves quickly from Christiana’s dream to the visitor’s arrival to her decision to depart. The word count (103,516) suggests that even with omissions, the book remains substantial, but the reading experience is streamlined for younger audiences.
Readers approaching this edition should note that it is a deliberate adaptation, not a faithful reproduction of Bunyan’s 1678 text. The omissions are purposeful, and the preface provides a clear rationale. For those interested in the original’s theological depth, the complete version remains available. This edition offers a narrative-focused entry point, particularly for younger readers or those seeking the story without the sermons.
I remember first meeting Christiana in that gentle edition of Pilgrim’s Progress, her steps quieter than her husband’s, yet somehow more deliberate—reading it felt less like a sermon and more like sitting beside a friend. That same soft familiarity returned while turning through The Mystery of the Clasped Hands: A Novel — Edition Insights, where secrets rest wrapped in stillness, waiting for a patient hand to unfold them.
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