The Mystery of the Clasped Hands: A Novel — Edition Insights

you?” he inquired with a note of triumph in his voice. “You pooh-poohed the notion that I should ever be able to find you a model. What do you say now?”

“She is perfect,” Henderson replied. “Just look at the eyes, the beautiful contour of the face, the shapely neck and the hands! Great Scott! what is a woman of her class doing with such hands? Where did you meet her?”

“In another of my contemptible restaurants,” Fensden answered. “Directly I saw her, I said to myself: ‘This is the model for Godfrey!’ I made inquiries about her, and, finding that she was willing to sit, made an appointment to meet her here this evening.”

By this time Godfrey’s antagonism had entirely left him. His only desire now was to secure this woman, and, with her assistance, to complete his masterpiece. As soon as the doors of Burlington House were thrown open, that face should look down upon the picture-lovers of England, or he’d never touch a brush again.

The two women, by this time, had seated themselves at another table; and it was almost with a sense of disappointment that Godfrey observed his ideal commence her meal. To watch her filling her pretty mouth to overflowing with steaming macaroni was not a pleasing sight. It was too human and too suggestive of a healthy appetite to harmonize with the poetic framework in which his imagination had already placed her.

When the ladies had finished their meal, the two young men left their own table and crossed the room to that at which they were seated. Fensden said something in Italian, which elicited a beaming smile from the elder lady, and a gesture of approval from her companion. It was not the first time in his life that Godfrey Henderson had had occasion to wish he had taken advantage of the opportunities he had had of acquiring a knowledge of that melodious language.

“The signora declares that there is no occasion for us to speak Italian, since she is an accomplished English scholar,” said Fensden, with a sarcastic touch that was not lost upon Henderson.

“The signorina also speaks our villainous tongue as well as if she had been born and bred within the sound of Bow Bells.”

At this supposed compliment, the elder lady smiled effusively, while her daughter looked gravely from one man to the other as if she were not quite sure of the value to be placed upon what Fensden had said. Having received permission, the two men seated themselves at the table, and Henderson ordered another flask of wine. Under its influence their acquaintance ripened rapidly. It was not, however, until they had been talking some little time, that the all-important subject was broached.

“And it is Teresina’s portrait that your friend would paint, signor?” said the elder lady, turning to Fensden. “And why not? ’Tis a beautiful face, though I, her mother, say it. If the signor will make the--what you call it--’rangements, it shall be as he wishes.”

Less than a minute was sufficient to place the matter on a satisfactory basis, and it was thereupon settled that the Signorina Cardi should attend at the studio at a certain hour every week-day until the picture was finished. Matters having been arranged in this eminently friendly fashion, the meeting broke up, and with many bows and compliments on Fensden’s and the signora’s parts, they bade each other adieu. A few minutes later, the two young men found themselves once more in the street.

“My dear fellow, I don’t know how to thank you,” said Henderson. “I’ve been worrying myself more than I can say at not being able to find the face I wanted. I owe you ten thousand apologies.”

But Fensden would not hear of such a thing as an apology. His only desire was that the picture should be successful, he said.

“I had no idea that he was so fond of me,” Henderson remarked to himself that night when he was alone in his bedroom. “Fancy his hunting through London for a model for me. He is the last man I should have thought would have taken the trouble.”