Out of the Hurly-Burly; Or, Life in an Odd Corner — Edition Insights

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Clark, Charles Heber, 1841-1915, Frost, A. B. (Arthur Burdett), 1851-1928 [Illustrator], Schell, Frederic B. [Illustrator] Project Gutenberg 2013 Not confirmed
Humorous stories; American fiction -- 19th century Readers of public-domain and historical texts
Project Gutenberg digital edition en

Edition facts

Words 96,353
Reading time 419 min
Text sections 14

Out of the Hurly-Burly; Or, Life in an Odd Corner — Edition Insights can be approached with a clearer sense of reading commitment from its source measurements: 96,353 words, 6 hr 59 min estimated reading time, and 14 detected text sections.

The text analysis averages about 20.7 words per sentence, while the detected sections provide another way to judge how the source is divided.

Project Gutenberg metadata also associates the work with “Humorous stories,” connecting these edition facts with the source record’s subject description.

Clark's comic novel, published under the pseudonym Max Adeler, blends domestic farce with melodramatic subplots, as seen in a theft accusation scene. The catalog subjects 'humorous stories' and 'American fiction' only partially capture its tonal shifts.
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Editorial Edition Score 4.9/5

Calculated from edition completeness, EPUB availability, text structure and catalogue metadata. Not a user rating.

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  • Description quality20 pts
  • Title & short description10 pts
  • Source metadata20 pts
  • Text length15 pts
  • Chapters / structure15 pts
  • EPUB file integrity20 pts

Total of 100 points, scaled to a 2.5-5.0 range. Editions with an empty description or a missing EPUB file are not scored.

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The founder of New Castle--A search for quietness--Life in the city and in the village--Why the latter is preferable--Peculiarities of the village--A sleepy old town--We erect our family altar 25

A very dangerous invention--The patent combination step-ladder--Domestic servants--Advertising for a girl--The peasant-girl of fact and fiction--A contrast 36

The view upon the river--A magnificent panorama--Mr. and Mrs. Cooley--Matrimonial infelicities--The case of Mrs. Sawyer--A blighted life--A present--Our century plant and its peculiarities 47

Judge Pitman--His experiment in the barn--A lesson in natural history--Catching the early train--One of the miseries of living in the village--Ball's lung exercise--Mr. Cooley's impertinence 56

A little love affair--Cowardice of Mr. Parker--Popular interest in amatory matters--The Magruder family--An event in its history--Remarkable experiments by Mrs. Magruder--An indignant husband--A question answered 68

The editor of our daily paper--The appearance and personal characteristics of Colonel Bangs--The affair with the tombstone--Art news--Colonel Bangs in the heat of a political campaign--Peculiar troubles of public singers--The phenomena of menageries--Extraordinary sagacity of the animals--The Wild Man of Afghanistan 84

The Battery and its peculiarities--A lovely scene--Swede and Dutchman two hundred years ago--Old names of the river--Indian names generally--Cooley's boy--His adventure in church--The long and the short of it--Mr. Cooley's dog and our troubles with it 99

The _Morning Argus_ creates a sensation--A new editor--Mr. Slimmer the poet--An obituary department--Mr. Slimmer on death--Extraordinary scene in the sanctum of Colonel Bangs--Indignant advertisers--The colonel violently assaulted--Observations of the poet--The final catastrophe--Mysterious conduct of Bob Parker--The accident on Magruder's porch--Mrs. Adeler on the subject of obituary poetry in general 113

The reason why I purchased a horse--A peculiar characteristic--Driving by the river--Our horse as a persecutor--He becomes a genuine nightmare--Experimenting with his tail--How our horse died--In relation to pirates--Mrs. Jones's bold corsair--A lamentable tale 134

A picturesque church--Some reflections upon church music--Bob Parker in the choir--Our undertaker--A gloomy man--Our experience with the hot-air furnaces--A series of accidents--Mr. Collamer's vocalism--An extraordinary mistake 152

A fishing excursion down the river--Difficulties of the voyage--A series of unfortunate incidents--Our return home, and how we were received--A letter upon the general subject of angling--The sorrows of the fishermen--Lieutenant Smiley--His recollections of Rev. Mr. Blodgett--A very remarkable missionary 164

How the plumber fixed my boiler--A vexatious business--How he didn't come to time, and what the ultimate result was--An accident; and the pathetic story of young Chubb--Reminiscences of General Chubb--The eccentricities of an absent-minded man--The rivals--Parker versus Smiley 183

An evil day--Flogging-time in New Castle--How the punishment is inflicted--A few remarks upon the general merits of the system--A singular judge--How George Washington Busby was sentenced--Emotions of the prisoner--A cruel infliction, and a code that ought to be reformed 200

A Delaware legend--A story of the old time--The Christmas play--A cruel accusation--The flight in the darkness along the river shore--The trial and the condemnation--St. Pillory's day seventy years ago--Flogging a woman--The deliverance 211

A very disagreeable predicament--Wild exultation of Parker--He makes an important announcement--An interview with the old man--The embarrassment of Mr. Sparks, and how he overcame it--A story of Bishop Potts--The miseries of too much consolidation--How Potts suffered, and what his end was 237

Old Fort Kasimir--Two centuries ago--The goblins of the lane--An outrage upon Pitman's cow--The judge discusses the subject of bitters--How Cooley came home--Turning off the gas--A frightful accident in the _Argus_ office--The terrible fate of Archibald Watson--How Mr. Bergner taught Sunday-school 255

A dismal sort of day--A few able remarks about umbrellas--The umbrella in a humorous aspect--The calamity that befell Colonel Coombs--An ambitious but miserable monarch--The influence of umbrellas on the weather--An improved weather system--A little nonsense--Judge Pitman's views of weather of various kinds 278

Trouble for the hero and heroine--A broken engagement and a forlorn damsel--Bob Parker's suffering--A formidable encounter--The peculiar conduct of a dumb animal--Cooley's boy and his home discipline--A story of an echo 293

A certificate concerning Pitman's hair--Unendurable persecution--A warning to men with bald-headed friends--An explanation--The slanderer discovered--Benjamin P. Gunn--A model life-insurance agent 306

A certain remarkable book--A few suggestions respecting Boston--Delusions of childhood--Bullying General Gage--Judge Pitman and the catechism--An extraordinary blunder--The facts in the case of Hillegass--A false alarm 324

Settling the business--Vindication of Mr. Bob Parker--A complete reconciliation--The great Cooley inquest--The uncertainty in regard to Thomas Cooley--A phenomenal coroner--The solution of the mystery 334

An arrival--A present from a Congressman--Meditation upon his purpose--The patent-office report of the future--A plan for revolutionizing public documents and opening a new department in literature--Our trip to Salem--A tragical event--The last of Lieutenant Smiley 350

Pitman as a politician--He is nominated for the Legislature--How he was serenaded, and what the result was--I take a hand at politics--The story of my first political speech--My reception at Dover--Misery of a man with only one speech--The scene at the mass meeting--A frightful discomfiture 363

The wedding-day--Enormous excitement in the village--Preparations for the event--The conduct of Bob Parker--The ceremony at the church, and the company at Magruder's--A last look at some old friends--Departure of the bride and groom--Some uncommonly solemn reflections, and then--The end 387

LIST OF ILLUSTRATIONS.

Charles Heber Clark, writing as Max Adeler, opens his 1874 novel with a dedication to 'the intelligent compositor'—a typesetter whose accidental substitutions, such as turning 'filtration is sometimes accomplished with the assistance of albumen' into 'flirtation is sometimes accomplished with the resistance of aldermen,' he celebrates as a source of 'laughter that is worth a hundred groans.' This framing announces a book built on verbal mishap and domestic absurdity. Yet the excerpts also reveal a starkly different register: a scene of a young woman, Mary, accused of theft, fleeing through a storm-tossed night, her 'brain in a whirl,' contemplating suicide before collapsing at her mother's feet. The catalog labels 'humorous stories' and 'American fiction—19th century' accurately describe the book's genre but do not prepare a reader for this sudden plunge into melodrama.

The Composing-Room Muse

Clark's dedication is not mere whimsy. It establishes a compositional method: the humorist as grateful recipient of the compositor's blunders. The examples he cites—'Where are the dead, the varnished dead?' for a mis-set line about comets, or 'a count slept in the haymow in a traveling shirt'—are not just jokes but evidence of a collaborative, almost aleatory approach to comedy. The preface further notes that many incidents 'have already appeared in print' and been widely copied, sometimes attributed to others. This suggests the book is a collection of previously published sketches, stitched into a narrative. The humor, then, is not tightly plotted but episodic, reliant on the kind of happy accident Clark praises. Readers encountering the novel should expect a loose structure where set pieces and verbal play take precedence over sustained character development.

A Storm of Accusation

The extended excerpt from what appears to be a later chapter shifts tone dramatically. Mary, accused of stealing a brooch, flees a party. The prose becomes heightened: 'The stars that lighted her upon her mad journey twinkled through the frosty air with an intelligence they had never before possessed.' The narrator describes her 'wild passion and her misery' as she struggles through 'mire and mud' and 'the high grass and the reeds of the water's edge.' This is the language of sentimental fiction, not farce. The dialogue that follows—between Major Newton, Mrs. Willitts, and the doctor—is a conventional mystery setup: the doctor vows to 'unravel this mystery and clear this innocent girl.' The scene ends with the company dispersing as 'eager gossips' to spread the story. The contrast with the dedication's tone is stark, suggesting that Clark's humor may be a frame for more conventional Victorian plot devices.

Catalog vs. Content

The Project Gutenberg record classifies Out of the Hurly-Burly under 'Humorous stories' and 'American fiction—19th century,' with a secondary topic of 'humor-satire.' These labels are not wrong, but they are incomplete. The excerpts show a work that oscillates between two modes: the genial, typo-celebrating humor of the front matter and the earnest melodrama of Mary's flight. The catalog does not flag this tonal instability. A reader expecting consistent comedy may be disoriented by the sudden seriousness. Conversely, a reader seeking a straightforward sentimental novel will find the dedication puzzling. The book's subtitle, 'Life in an Odd Corner,' hints at this patchwork quality. The 'odd corner' may be not just a setting but a literary space where comic and tragic conventions coexist, sometimes jarringly. The catalog's broad subjects, while accurate, obscure the work's generic hybridity.

Clark's novel rewards a reader willing to accept its shifts in register. The dedication and preface offer a key: the book is a collection, assembled with a compositor's luck. The melodramatic scenes may be earlier sketches repurposed, or they may represent a deliberate counterpoint. Pay attention to how the humor and the pathos are juxtaposed—whether they comment on each other or simply coexist. The illustrations by A. B. Frost and Frederic B. Schell, mentioned on the title page, may further modulate the tone. This is a book that asks to be read not as a unified narrative but as a cabinet of curiosities, where a typesetter's error and a maiden's distress share the same shelf.

I keep thinking about that theft accusation scene in Out of the Hurly-Burly, how the laughter turns so quietly tender. There’s a similar ache tucked inside The Honey-Pot — Inside the Classic, that same odd corner where humor and melancholy share a porch. It’s just nice to know some books still hold both at once.

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