The Last Rose of Summer — Reading Notes

led on Birdaline and Phin. They had moved away–to Peoria, no less! And now they were back on a visit to his folks.

When Birdaline saw what Time had done to Asaph she forgave Josie completely. It was Josie who did not forgive Birdaline, for Peoria had done wonders for Phin. Everybody said that; and Birdaline also brought along a grown-up daughter who was evidently beautiful and, according to her mother, highly accomplished. Why, one of the leading vocal teachers in Peoria (and very highly spoken of in Chicago) had heard her sing and had actually told her that she ought to have her voice cultivated; he had, indeed; fact was he had even offered to cultivate it himself, and at a reduced rate from his list price, too!

It seemed strange to Birdaline and Josie to meet after all these years and be jealous, not of each other, but of daughters as big as they themselves had been the last time they had seen each other. Both women told both women that they looked younger than ever, and each saw the pillage of time in the opposite mien, the accretion of time in the once so gracile figure. It was melancholy satisfaction at best, for each knew all too well how her own mirror slapped her in the face with her own image.

When Birdaline bragged of her daughter’s voice, Josie had to be loyal to her oldest girl’s own piano-playing. Birdaline, perhaps with serpentine wisdom, insisted on hearing Miss Shillaber play the piano; it was sure, she thought, to render the girl unpopular. But the solo annoyed the guests hardly at all, for they could easily talk above the feeble clamor of that old Shillaber piano, in which even the needy Carthage tuner had refused to twist another wrest-pin these many years.

After the piano had ceased to spatter staccato discords, and people had applauded politely, of course Josie had to ask Birdaline’s daughter to sing. And the girl, being of the new and rather startling school of manners which accedes without undue urging, blushingly consented, provided there was any music there that she could sing and some one would play her accompa’ment.

A tattered copy of "The Last Rose of Summer" was unearthed, and Mr. Norman Maugans, who played the melodeon at the Presbyterian prayer-meetings, was mobbed into essaying the accompa’ment. He was no great shucks at sight-reading, he said, but he would do his durnedest.

The news that the pretty and novel Miss Buddy would sing brought all the guests forward in a huddle like cattle at home-coming time. Even Deacon Peavey gave up his vow to open that camp-stool or die and sat down in a draught to listen. The perspiration cooled on him and he caught a terrible cold, but that was Mrs. Peavey’s business, not ours.

Miss Pamela Duddy sidled into the elbow of the piano with a most attractive kittenishness and waited for the prelude to be done. This required some time, since the ancient sheet-music had a distressing habit of folding over and, as it were, swooning from the rack into the pianist’s arms. Besides, Mr. Maugans was so used to playing the melodeon that instead of tapping the keys he was continually squeezing them, and nothing came. And when he wished to increase his volume of tone he would hold his hands still and slowly open his knees against swell-levers that were not there. This earnest futility gave so much amusement to Josie’s youngest daughter that she had to be eyed out of the room by her mother.

Miss Pamela saved the day by a sudden inspiration, a recollection of what she had seen done by one of the leading sopranos from Indianapolis at a recital in the Star course at Peoria; Miss Pamela bent her pretty head and took from her juvenile breast one big red rose and held it in her hands while she sang. During the final stanza she plucked away its petals one by one and at the end let the shredded core fall upon the highly improbable roses woven in Josie’s American Wilton carpet.